Thursday, April 15, 2010

So aside from a few cds I bought at a show a week or so back, I bought my first two new records of the year (I think...).
The big choice was Bahamas - Pink Strat and Bonnie 'Prince' Billy & The Cairo Gang - The Wonder Show of the World.
I really, really love the Bahamas album. I was holding off buying it since I heard Jason Collett's podcast for CBC Radio 3 back in November of last year. Collett played the song "Hockey Teeth" and I couldn't get enough. I'm absolutely charmed by Afie Jurvanen, who exposes all on the front of his album featuring his real name, date of birth, height and weight. I don't know a single woman who would want to give all of that away in one picture.


This album is perfect through and through.

Tuesday, April 13, 2010

Elliott Smith Pt.1

I don't think too much about Elliott Smith, but I sure do listen to his music a lot. I think my lack of thought for the man is because I got into him a year or so after his death. When listening to his material - I know he's not around, I know he's not touring ... So I just enjoy it for what it is, really great music.

This very second I am listening to "Whatever (Folk Song In C)". It was released on his collection of b-sides titled New Moon. I feel like I bought this album forever ago. I think it was released in 2006, after From a Basement on a Hill.

From a Basement was the first Elliott Smith album I listened to. It was on a listening post at my old work - he had a little tab describing who he was and why this album was worth buying. It's sort of ironic that such a wallflower like Elliott Smith would appear on a rave listening rack. I'm not sure if it helped him in sales at all, but he definitely got me.

This album is absolutely flawless, it's lush like Figure 8 before it, but it's minimal when it needs to be. It takes a step further from the Beatles sound that he mastered before and moved into something out of his niche. He touches on weird sounds and builds up in the tune "King's Crossing" but still maintains clever piano noodles in "A Distorted Reality is Now a Necessity to Be Free".

This isn't enough to say about this album, be prepared for another blurb about it soon. Stay tuned!

Saturday, April 10, 2010

Coldplay 'Parachutes'

Coldplay's beautiful album Parachutes has been out for ten years. Released July 2000, it has had a significantly long shelf life in my collection. I initially hated the song "Yellow" with the ridiculous video that my brother insisted was absolutely amazing. At the time, I really couldn't care if Chris Martin was walking on his hands on a beach with the sky changing, it wasn't for me. At that time I loved Nick Carter of the Backstreet Boys.

I think it was upon seeing Igby Goes Down in 2002, another aging film, that I fell in love with the song "Don't Panic". To this day, that song has got to be one of my top listened to tunes. Naturally, I realised how amazing "Yellow" is and how well done the video actually was.

I am really feeling the song "Sparks". It's a real shame the only way i'll be able to see this band is in a massive venue like the Skydome. Pitty.

Thursday, April 8, 2010

The Darcys

Loosing your lead singer can be a little difficult for a band, but it seems the Darcys have made it out more than OK.

The Darcys are a band I always keep at the back of my mind and revisit every once in a while. I remember just how great they sound.

The very Radiohead-sounding song - "House Built Around Your Voice" is pretty spectacular.

Wednesday, April 7, 2010

Rocky Votolato and Brooke Waggoner at the Drake; Monday April 5, 2010

The first time I saw Rocky Votolato was in March of 2004. Just over six years later I met with an old friend.

I fell in love with the lines - "All the things I never got to say, like you look smashing in your fourth grade picture the one you left in our little home." I have no clue why but the marshmallow inside of me gravitated for the mushy, musy words in the tune "Suicide Medicine".

I felt a little exausted at this show - as I really can't listen to that much singer/songwriter as I once could. Ironically enough Votolato confessed to the crowd that he hadn't been to Toronto in two years because he was going through some record company issues where he claimed his efforts weren't sounding like he wanted them to. He said he wanted to do what he originally started playing music for - to sing and play guitar. I found it too simple and repetitive this go 'round. I'm a little conflicted because I'm not sure if i'm satisfied with the lone guy with an acoustic guitar.

It's amazing that since 2004 he has released three albums - I jumped ship after the first release and even then I barely listened to it.

Votolato's live show is intimate - he's comfortable, in a sense you can tell he's been at it for years. He's in his early thirties and knows what he's doing. It was just him on a stage with about five different harmonicas and a capo. I was a little wry to not know much of his material apart from the album Suicide Medicine, fortunately he laid my fears to rest and opened up the show with the song "Alabaster". About half way through the set he played "Mix Tapes/Cell Mates" which is a song I really, really love for its fine guitar picking and charming lyrics. I decided to split a little early - even though he hadn't yet played "Suicide Medicine". Making my way to the back of the tiny venue he said to the audience: "This song is about having problems in the brain..." or something along those lines and he began playing the repetitive chords in "Suicide Medicine". I was just so elated to hear it, despite my incredible fatigue and fear of the one hundred pounds of school work I have on my back. I somehow managed to turn my brain off and just quietly sing the lyrics to myself. I didn't feel much, not as the song once did to me, but I know the song by memory, by heart. Knowing the lyrics of that song is apart of me now - it's really incredible how easy they came out. I knew them without having to think... It was a really incredible three minutes.

A little out of order but the lovely Brooke Waggoner played. Unlike Rocky, I've only been familiar with Brooke for just under a week. I've kept in touch with her on Youtube - the song "So-So" really roped me in. It sounds quite a bit like Regina Spektor - in this particular song. In listening to her other songs - I felt a little bored. Live I felt the exact same way - her background is classical piano. She really shows it in a lot of her music. She even declared in the middle of her set that she feels like she sucked all the life out of us - and broke into a song about not having a job. She told the crowd - she has friends that always complain about being out of a job, she then said that it's always the same person complaining. She had a harp player with her - all I could think of was how lousy it would be to lug around a harp across the country and over the border...

I was charmed by her completely and bought a couple of her albums.
Seattle's Rocky Votolato
The very articulate Brooke Waggoner from Nashville, TN

Monday, April 5, 2010

Edward Sharpe & the Magnetic Zeros

So along with Beach House - another band I lost touch with after seeing is Edward Sharpe & the Magnetic Zeros. Nothing to their performance but I just did not have the fabulous time I wanted to have. I really adored their presence and sound, but there is something dreadful about sold out shows and overly drunk people.

Scrolling through past NPR shows I found this gem! It's out of a series they title Tiny Desk Shows, shot at the NPR office somewhere in the States. This is the way I would love to see Edward Sharpe and his Zeros - not in a cramped sweaty dark venue from the sticky floor.

This set list is amazing - they took their best songs - unplugged them. I'm going for round two, of this video!

Wednesday, March 31, 2010

Spoon and Deerhunter at the Sound Academy; Monday March 29, 2010

The last time I saw Deerhunter, it was at Lee's Palace just after their release of their finest album to date - Microcastles. The show was perfect, minus the noisy, messy openers Times New Viking.

This time 'round I walked in on their opening set a couple of songs in and it was half past nine. I walked into the venue to the song "The High Road" by
Broken Bells, an amazing song that sounds like a grown up version of the Shins. Really, it's James Mercer of the Shins and the producer extraordinaire Danger Mouse. I like this project, it seems like it's marking the death of the Shins, which I might almost be OK with. I really enjoyed their last release Wincing the Night Away but I think it's time for Mercer to "wow" me with something different.

I entered the venue and I was convinced tha
t it wasn't actually Deerhunter, because it was noise and I couldn't see their lanky frontman - Bradford Cox. But they began to play "Never Stops" and I knew it was them. I hate this venue for so many obvious reasons, firstly I couldn't see a damn thing, I didn't even know Deerhunter was playing. How could I possibly miss the impressivly distinct Cox. Cox almost seemed cool wearing sunnies inside. I completely understood why because there was an unnecessary light show going on. I thought their set was a pretty good length and in good time too. I was really concerned I had missed "Cover Me (Slowly)" and "Agoraphobia", two of my favourite bits off of Microcastle. If you're smart and listening to the link of "Cover Me..." and "Agora..." you can understand what a knob Bradford Cox is. Some people find him funny, I just find him crude and over the top. I however adore that song and that intro musically. At the show in Toronto he let out that ridiculous scream and it completely threw me off. I didn't know what he was going to play, but after the first chord I was back on track again. I also knew that I would hear "Agoraphobia" immediately after which put me at great ease. I was a little worried that I missed it because it's such a stellar opener, as you can see from the Copenhagen gig I linked you to. If there are two songs off of Microcastles that will convince you to like Deerhunter, it's those two.

Spoon were everything I thought they'd be - flawless and charming. The show itself felt sold out. That marks my second big
reason why I hate the Docks. Any show I could possibly want to see there is likely to be sold out. The layout of the venue is long, similar to the Phoenix, except three times the size in length and a couple times the size in width. So seeing any show there is very difficult to enjoy. Spoon frontman even pointed out how "long" the venue was.

I didn't do much homework before seeing Spoon. They'd always been at the back of my mind as a very well put together and established band
. I got my hands on Ga Ga Ga Ga Ga as it came out and fell in love. My very good friend Ted, who I went to the gig with also indirectly pushed me listen to Spoon more with his HUGE love for the band. Going to the show with him was a complete pleasure, I really admire that love for one band. I have given Transference a few listens but listening to it after a flawless studio perfected album like Ga Ga... was difficult. The album is significantly more raw that their previous release.

I was surprised they played "Don't Make Me A Target" in the middle of their set and "That's the Way We Get By" second in their set.
I was really surpriseed to hear "The Ghost of You Lingers" live. They jumped back on stage for a four song closer - of them two were drawn off of Ga Ga Ga Ga - "Got Yer Cherry Bomb" and "The Underdog". It's absolutely amazing that Spoon is a four piece ensemble, Brit Daniel is incredible on the guitar and vocals - together.

I wonder about the Nada Surf show. Would've love to have seen them too!

It was really difficult to find a normal image of Bradford Cox, but I did!:



I wonder about the Nada Surf show. Would've love to have seen them too!

Sunday, March 28, 2010

Okkervil River's "Our Life is Not a Movie or Maybe"

In reading an interview with Will Sheff he claimed that the song "Our Life is Not a Movie or Maybe" off of the masterpiece The Stage Names was originally written as a slower song.

I recently stumbled upon an acoustic version of it that sounds quite odd upon first listening to it, but its' quite lovely after a minute or so. It has such a different sound to it than the studio version.

Seasick Steve and the Phonogarde

Seasick Steve is a golden oldie, but I personally have never heard of him until today. He has a fantastic blues sound that apparently he would rather box himself as a "Song and a Dance Man".

He reminds me a bunch of the much younger individual - the Phonogarde a Toronto blues artists that sort of fell of my radar for the last two years. He needs to play more Toronto shows, or shows altogether because he has something really different that I think could be really well-received.

Bloc Party

I haven't touched Bloc Party really since high school, I however still can fondly dip into their album Silent Alarm.

This is a really pleasant video of the tune "This Modern Love". It's a little scrappy at times - but I love the ending reaction of the crowd. So honest and just happy. "Encore!"

And who could ignore Owen Pallett's cover of the tune.

Thursday, March 18, 2010

SXSW series - The Walkmen

Thank you NPR, once again you have made my evening. I am currently listening to the song "Canadian Girl" appropriately while working on a paper to do with Canadian waste transfer from Toronto to Michigan.

The Walkmen at South by South West 2010

Live music doesn't get much more perfect than a Walkmen gig.




Wednesday, March 17, 2010

Jenny Lewis time warp

Take yourself back four years to Jenny Lewis' first solo record titled Rabbit Fur Coat. It easily made one of my albums of the decade.

I had the lovely opportunity to see her with Johnathan Rice at the Opera House in the Spring of 2006.

Hearing this NPR recording made October of 2006 is making me a tad nostalgic.

The never again set list:

Long Black Dress

The Big Guns

You are What You Love

Melt Your Heart

The Charging Sky

Happy

Fernando

Rise Up With Fists!!

Carpet Baggers

Rabbit Fur Coat

Sunday

Jack

Born Secular

Acid Tongue

Handle Me With Care


Friday, March 12, 2010

RJD2 at the Mod Club; Thursday March 11, 2010

I'm so happy RJD2 knows that his best album is Deadringer and is not too sick and tired to play it. The last song before the encore was "Ghostwriter" and it was epic. He played it with a band, which sounded much better than just spinning.

Seeing with a full band is pretty incredible. Much more exciting.

Thursday, March 11, 2010

Jason Collett with Zeus and Bahamas at Lee's; Wednesday March 10, 2010

Toronto has two major music festivals, Canadian Music Festival (formerly Canadian Music Week) and North by North East. Neither of them are particuarly amazing, but I feel as though NXNE has always been significantly more together than CMF. This year however, CMF has a great lineup, especially in comparison to former years.
Last year I snagged two wristbands for free, giving one away and using one to see the amazing Six Shooter Showcase at the Reverb. This will more than likely be my last time ever going to the legendary Big Bop building. I had the pleasure of seeing Canadian gems - Jenn Grant and Amelia Curran.
This year, buying a ticket I saw Jason Collett, Zeus and Bahamas in what they titled the "Bonfire Ball". This was their first gig of the tour. I stumbled by at aroudn 9:30pm expecting to have missed a couple of songs of Bahamas' opening set. Much to my chagrin I caught the tail end of "Hangover Days". That indicated that Collett was holding a revue gig. One giant set, all bands mixed with Zeus as the house band, keeping the audience on their toes.
I was blown away by all the bands I came across tonight. Collett, no surprise really - his presence and sound comes so effortlessly. He's always had the charm, I'm just so happy he finally has the support in both fans and musical family to finally call the shots. Over the past five or six years i've watched Collett nurture Zeus, from Paso Mino to just his backup band to the all mighty Zeus. He refers to them as musical renaissance men, shared instrument and vocal duty. The lead singer is only twenty three, isn't that something. Collett referred to his voice as one of the most "rock and roll" voices he's heard recently. The standout song of their set was the "Greater Times on the Wayside" and "River by the Garden" mash up. Much less a mashup but one short song fused together with a much longer one, kind of like Abbey Road. The first tune, "Greater Times on the Wayside" is a John Lennon sounding tune that bleeds into "River by the Garden" which comes off sounding like a Ringo tune. Yikes. Surprising live came off significantly charming, unfortunately I can't say the same for the recorded version.

Zeus' new album dropped a couple of weeks ago. They've recieved an overwhelming amount of press, publicity and hype. Deserving every last drop of it, I'm really excited to see where they go next.
Bahamas is yet another google proof band. Bahamas is Afie Jurvanen. Holding nothing in his album cover shows his birthdate, full name, height and weight. I was really amazed by this man he really carries himself as a rock star should. His tunes are sincere and thoughtful. The only one I can carry by name is "Hockey Teeth" which found its way on to Collett's CBC made podcast. I really loved his one tune he played about him waiting for a girl that may love someone else. It's goofy, but not Barenaked Ladies goofy. I've been meaning to get his album, but i've held back from buying it. He's one of those artists that are not big enough to find online, but it would be pretty easy to find his album at a used place.
He sounded fantastic with a band and with just his guitar and the drums. Playing with just drums, his guitar and voice filled up the music making it sound full and lively. Big things for this man.
He's incredible recorded too:

Collett as I mentioned before always dazzles me, from his rugged good looks to his effortless ease on stage. When I see him I feel like he's playing for myself alone. He makes things personal and intimate, no matter if he plays with a big group or alone with a guitar. He also played things from across his catalogue. He has four albums out, now with yesterday's release of Ratatat. I was most surprised to hear him play "Almost Summer" off of his best album to date Idols of Exile. I remember purchasing that album thinking: "Wow, the new Jason Collett album". I bought it at a record store near the summer school I went to. It was summer of 2005, five years ago! The tune "Almost Summer" is an autobiographical history of events in his life. I know this because he use to have this absolutely charming description of this in his biography portion of his website four or five years ago. The link I provided under "Almost Summer" has him explain what's it's more or less about.

Following "Almost Summer" he played "High Summer" which he described as the sequel to "Almost Summer". I love both, I have had the pleasure of hearing "High Summer" to know what it sounds like. It's apparently on his new album.

The first Jason Collett gig I saw I think was at Lee's with my good friend Nicole and our fake IDs. At that time KT Tunstall opened up for him, which is absolutely mind boggling because she had a big billboard for her new album on Spadina at Queen. Collett is luck to have a showcase at Sonic Boom. I think Collett was the artist I was able to sneak it to the most - seeing him play the Mod Club which is incredibly weird. The 6ixty8ights (I think that's how they spelt it!) opened for them with Paso Mino, basically Zeus now! All those times I snuck in, I desperately wanted to hear "Almost Summer". It wasn't until tonight that I heard him play it live, away from Youtube! Big night, well worth the twenty five bucks I dropped.


Monday, March 8, 2010

Jenny Owens Young

I'm not sure if the world has room for another girl singer song writer. There are too many Ingrid Michaelsons - fortunately few make it as big as they want to get.

Somewhere I read the name Jenny Owens Young, an incredibly clunky name to bring out with you to stardom. She is however cute as a button. I feel like she'd be a million times better if she wasn't so over produced - her posted tracks sound like they were processed four hundred times over to perfection. I would like to hear her practicing wtih a guitar solo (I hope that she plays sometihng herself).



My goodness! Watch out Jenny Lewis!

Age of Rockets' Note

Although the band that produced this is really lousy, I really like what this guy wrote.

I assume this is what Glee would sound like if we put them to real life, the band not the note they wrote.

http://blogs.myspace.com/index.cfm?fuseaction=blog.view&friendId=2907300&blogId=423881365

Jane Said

I watched a ridiculous video online that lead me to this gem - the band called Jane Said http://www.myspace.com/paulawinger. They're different, but they still have a mainstream appeal to them.

They're from Nashville which is delightful to me because I am getting quite excited for Bonaroo. With the best luck i'll be going come June. I've never been to Tennessee, I can't wait to dip into the music scene there.

Friday, March 5, 2010

Joe Pug

For the first time, I intentionally listened to a concert without actually seeing it. I really didn't love Justin Townes Earle but I had the urge to see Joe Pug, just to hear his song "Hymn 101". I missed his set last year opening up for M. Ward at the Phoenix. Fortunately, he came back quite quickly.

I had a pint and anxiously waited to hear my song. I had a feeling he'd play it last, which he did. I sort of found his stuff to sound all the same. I guess that's the poison of only playing the guitar and a harmonica yourself.


Back on the saddle

Hello die hard fans,

My computer got a virus, but thankfully for the fourth time in the last three months or so it has recovered.

I served Andrew Whiteman of Apostle of Hustle and Broken Social Scene at my restaurant the other night and I've been on a serious Apostle of Hustle kick. Especially off their first full length titled Folkloric Feel. I really love the tune "Folkloric Feel" and "Sleepwalker's Ballad".

Sunday, February 21, 2010

Real Estate again!

I'm really like Real Estate. I am however hungover the fact that I could have saw these guys at the El Mocambo with Girls this summer but opted to just catch the headliner.

I feel like I am missing a lot skipping openers but there's something really lousy about standing in a busy venue for two or three hours. I used to do it all the time in high school, it's so much less glamourous now.

Saturday, February 20, 2010

pps

is this too far?

in addition -

This cover is actually pretty good.

2010 shows and "Silver Soul" in that order.

galore.

and I am so happy I finally found a live video that isn't a cover of Beach House's "Silver Soul"

Real Estate's "Beach Comber"

I am all over this song. It's funny how quiet the vocals are - it's actually better. I like the music more than i like the vocals.

They're coming!!! I'm jazzed.

http://www.youtube.com/watch?v=bfi2HJGziAA

Zero 7 meets Radiohead

http://www.youtube.com/watch?v=YFmUZ74UD70
"Climbing Up the Walls" by Radiohead mixed by Zero 7