But it was in watching How I Met Your Mother's most recent episode "Challenge Accepted" that got me really onto the song "Ballad of Sir Frank Crisp" that boasts the lyrics "Let it roll" prominently throughout the song.
Showing posts with label the Beatles. Show all posts
Showing posts with label the Beatles. Show all posts
Monday, May 23, 2011
"Ballad of Sir Frank Crisp" George Harrison, How I Met Your Mother
I haven't fully emerged myself into Harrison's All Things Must Pass. I'd say I've put a fabulous effort into the first disc, but it's the second one I've really overlooked (along with Disc Two of The Beatles).
Saturday, March 26, 2011
The Beatles "Rocky Raccoon"
My Dad played The White Album disc one in the car earlier this week. It's an album I cherish but really hate a few tunes on it ("Piggies" and "Don't Pass Me By").
I adore the tune "Rocky Raccoon" which was supposed to be called "Rocky Sassoon," but McCartney thought "Raccoon" sounded more like a cowboy. At the beginning you'll note a bit of folk sound to his voice, it was his way of poking fun, a pastiche style mish-mash.
I also love the way my world's can collide so effortlessly! I just found out about the American rock band Roky Erickson because of Will Scheff/Okkervil River's work with his latest album True Love Cast Out All Evil. Will Scheff even won a Grammy for his liner notes! You can see my wee rant on this here. Apparently the song "Rocky Raccoon" was maybe inspired by Roky Erickson, or at least that's what his drummer Danny Thomas had to say about the McCarntney tune.
I adore the tune "Rocky Raccoon" which was supposed to be called "Rocky Sassoon," but McCartney thought "Raccoon" sounded more like a cowboy. At the beginning you'll note a bit of folk sound to his voice, it was his way of poking fun, a pastiche style mish-mash.
I also love the way my world's can collide so effortlessly! I just found out about the American rock band Roky Erickson because of Will Scheff/Okkervil River's work with his latest album True Love Cast Out All Evil. Will Scheff even won a Grammy for his liner notes! You can see my wee rant on this here. Apparently the song "Rocky Raccoon" was maybe inspired by Roky Erickson, or at least that's what his drummer Danny Thomas had to say about the McCarntney tune.
Wednesday, March 2, 2011
"Baby It's You"

Music by Burt Bacharach with Luther Dixon (credited as Barney Williams) and Mack David (lyrics).
It was made a hit first by the Shirelles in 1961 and then shortly later by the Beatles in 1963. The current music group Tennis regarded it as the song that initially inspired them, it was the version by the Shirelles that did it.
Thursday, February 10, 2011
Thursday, December 16, 2010
Saturday, December 11, 2010
Phillistine, the Beatles
Thursday, December 9, 2010
Tuesday, December 7, 2010
Monday, October 25, 2010
Soundtracks of 'Life As We Know It' and 'Nowhere Boy'
I have a huge affinity for the sixties, a beautiful decade of classy clothing and fantastic music. I can't get enough of it.
I adore films that take me there. I couldn't help but get the feel from time piece films - 'Nowhere Boy' gave me a good authentic feel of that. The film had a rich soundtrack to boot - featuring great skiffle band tunes of the Quarrymen, Lennon's first band. I suppose to catch you up to speed, the film is about John Lennon's youth before the Beatles.
There was this great moment where his Aunt Mimi, portrayed by Kristin Scott Thomas said to him very reluctantly: "You're going to Hamburg with your new band..." She didn't even say the new band's name, it didn't need to be said, without a doubt she was referring to the Beatles.
I can't wait to sink my teeth into some brilliant Beatles/Quarrymen tunes that I have no clue about.
The other film I saw today was Life As We Know it. The musical moment that really stuck out to me was the use of the song "Creep." It however wasn't credited as a song used because both Katherine Heigl and Josh Duhamel's characters sang the words to the baby in the film - "I'm a creep/i'm a weirdo/ so what am I doing here, I don't belong here." It would have really hit home well with me if the actual song was played throughout the credits. Sadly, it wasn't.
I adore films that take me there. I couldn't help but get the feel from time piece films - 'Nowhere Boy' gave me a good authentic feel of that. The film had a rich soundtrack to boot - featuring great skiffle band tunes of the Quarrymen, Lennon's first band. I suppose to catch you up to speed, the film is about John Lennon's youth before the Beatles.
There was this great moment where his Aunt Mimi, portrayed by Kristin Scott Thomas said to him very reluctantly: "You're going to Hamburg with your new band..." She didn't even say the new band's name, it didn't need to be said, without a doubt she was referring to the Beatles.
I can't wait to sink my teeth into some brilliant Beatles/Quarrymen tunes that I have no clue about.
The other film I saw today was Life As We Know it. The musical moment that really stuck out to me was the use of the song "Creep." It however wasn't credited as a song used because both Katherine Heigl and Josh Duhamel's characters sang the words to the baby in the film - "I'm a creep/i'm a weirdo/ so what am I doing here, I don't belong here." It would have really hit home well with me if the actual song was played throughout the credits. Sadly, it wasn't.
Wednesday, October 13, 2010
I AM SO HAPPY RIGHT NOW...
Apparently, one of my favourite directors Martin Scorsese is making a BBC Documentary about George Harrison titled Living in the Material World: George Harrison.
Harrison's wife, Olivia Harrison, was approached by many to make a film on her late husband but it was Scorsese that won her over. She has even signed on to produce the film.
According to Scorsese, he was attraced to the project because "That subject matter has never left me...The more you're in the material world, the more there is a tendency for a search for serenity and a need to not be distracted by physical elements that are around you. His music is very important to me, so I was interested in the journey that he took as an artist. The film is an exploration. We don't know. We're just feeling our way through."
Billy Preston
sIt's completely heartbreaking to get really into an artist just to find out that they're already dead.
Billy Preston (1946-2006) will be my next album purchase for certian! Keep posted.
"While My Guitar Gently Weeps"
On George's epic tune "While My Guitar Gently Weeps." This just gets me going:
Concert For George performance for the song:
Sunday, July 18, 2010
SONG-BY-SONG: 'With the Beatles' by the Beatles
I dare you to find a band better than the Beatles. I can't think of a colour they didn't sport.
I love those moments when you have a song hankering. I for some odd reason was struck with the tune "Hold Me Tight," for it's supreme innocence and sweetness.
This is definitely a Beatles summer for me. I'm going to see RAIN on Tuesday and at the beginning of August I'm seeing Paul McCartney. So this haze of Beatles is well needed.
I'm going to do a bit of a different song-by-song review of this album, a new feature to my blog.
1. "It Won't Be Long"
Fabulous album opener, full of excitement. There's something about the excited shout delivery right at the beginning with the echoing "yeahs". I thought the movie 'Across the Universe' used this song really well.
2. "All I've Got To Do"
Nice changes in tempo, they keep the listener on their toes. This is a very John song, it's edgy and super confident, without being overly cocky. This is one of the nine original compositions on the album, it however still has that Motown sound that the covers've got.
3. "All My Loving"
I first heard this song in the seventh grade. The girls were trying out for choir and this was one of the songs they were singing. I remember when I first heard my friend sing it alone, I thought it was a really slow song. There's something really amazing about the format of this song, it's very unconventional - it breaks into what I can only label as the chorus for it's repetition throughout the song. There's really nothing to this song, it's incredibly simple vocals and music wise. George's very beautiful guitar work wins me over - the country western-Esq guitar riffs.
4. "Don't Bother Me"
George's debut! George's voice has been double-tracked. Musically it's a bit of an odd ball which can only serve to foreshadow George's brilliance in the years following. It's a little bit of an odd shift lyrically as it's a bit more bitter than the tracks that start the album. Less love, more loss.
5. "Little Child"
I like the echoing harmonica bits. This is a song that astonishes me for its musicality. Paul's natural piano bits really flourish in this song - he had very little formal training. His father apparently always pushed him to take formal lessons but he preferred to play by ear. As much as this blog is critical of McCartney's piano bits, it still impresses me how musically inclined he is. I'm incredibly jealous.
6. "Till There Was You"
This is a very Paul McCartney song. I know I say that a lot, but this song to me is a trademarked McCartney song. He pens a good love song that would win any lady over. This song, although incredibly slow, was a popular play at the Cavern Club. Quite surprising for the songs slow tempo.
7. "Please Mister Postman"
I think this is my favourite cover off of the album. The song belongs to the girl group the Marvelettes. What I love about this song is that it strikes me more as a song written for a girl to perform, but the boys pull it off with ease and confidence. The clever swap from "boyfriend" to "girlfriend". This song gets me moving.
8. "Roll Over Beethoven"
Originally belonging to Chuck Berry, the Beatles' take is true. I like their version better, it's polished and very put together. At 1:11, it takes great shift that sets you up for the Berry guitar bit. This song begs to be danced to.
I saw She & Him about a month ago and they closed with this song. A surprising close, M. Ward took the reigns on this one. He also played it at his solo gig in support of 'Hold Time' in 2009. Very M. Ward for its audience shocking ornate guitar parts.
I love love love this section in the tune, it appears only once but the music, pace and feel of this part really reflects what the lyrics are illustrating.
"Well, if you feelin' like it
Go get your lover, then reel and rock it.
Roll it over and move on up just
A trifle further and reel and rock with it,
Roll it over,
Roll Over Beethoven, dig these rhythm and blues. "
9. "Hold Me Tight"
Hand clapping galore. This song is happy and optimistic. The Beatles were true smooth talkers. This is the tune that swayed me to listen to this album tonight.
10. "You Really Got A Hold On Me"
Probably my second favourite cover on this album. It wasn't this version that "got me" the most. It was She & Him's version, which I insist you hear.
I think when I first listened to 'Volume One' by She & Him, this was the song that sealed the deal. It's really delicate, unlike the Beatles' version. If you can tough it out to 2:45, you may share what I first felt when giving this song a listen.
The Beatles' version is brassier. It reflects the original by the Miracles a lot more than She & Him's take.
George Martin's playing the piano on this track.
11. "I Wanna Be Your Man"
This album is really a call for the lovestruck people out there, whether they've found it or not. I love the desperation of this song.
This is a very unconventional Ringo song. I am joining the band wagon here in my dislike for Ringo Starr, or Richard Starkey. His later songs tend to have a simplicity that this song has. It's very evident that Ringo did not write this song.
12. "Devil in Her Heart"
A real hidden gem the original was actually labeled "Devil in His Heart," yet another gender swap. This song was originally recorded by the Donays, a must hear:
I love the skepticism of this song.
This song was really well put together by the Beatles. It has, like many of the other covers, a more polished sound to it. George is singing this one.
13. "Not A Second Time"
This is probably my least favourite song off of the album.
14. "Money"
George Martin's piano masterpiece closer. I can't get over how genius the piano part is, it really picks up vigour nearing the end of the song too.
In the liner notes, McCartney describes this song as 'a real big screamer' for the audience at the Cavern Club. I recently heard it at Goin' Steady, a 50s/60s dance party, and it held that excited quality that it possessed over forty five years ago.
It's also a serious screamer for John's trademark voice spoiling effort.
I never give this song enough credit. It is the perfect album closer.
I always like to think of things in perspective to where I am in my life. When the boys released this album they were my age. What the hell am I doing with my life?
I love those moments when you have a song hankering. I for some odd reason was struck with the tune "Hold Me Tight," for it's supreme innocence and sweetness.
This is definitely a Beatles summer for me. I'm going to see RAIN on Tuesday and at the beginning of August I'm seeing Paul McCartney. So this haze of Beatles is well needed.
I'm going to do a bit of a different song-by-song review of this album, a new feature to my blog.
1. "It Won't Be Long"
Fabulous album opener, full of excitement. There's something about the excited shout delivery right at the beginning with the echoing "yeahs". I thought the movie 'Across the Universe' used this song really well.
2. "All I've Got To Do"
Nice changes in tempo, they keep the listener on their toes. This is a very John song, it's edgy and super confident, without being overly cocky. This is one of the nine original compositions on the album, it however still has that Motown sound that the covers've got.
3. "All My Loving"
I first heard this song in the seventh grade. The girls were trying out for choir and this was one of the songs they were singing. I remember when I first heard my friend sing it alone, I thought it was a really slow song. There's something really amazing about the format of this song, it's very unconventional - it breaks into what I can only label as the chorus for it's repetition throughout the song. There's really nothing to this song, it's incredibly simple vocals and music wise. George's very beautiful guitar work wins me over - the country western-Esq guitar riffs.
4. "Don't Bother Me"
George's debut! George's voice has been double-tracked. Musically it's a bit of an odd ball which can only serve to foreshadow George's brilliance in the years following. It's a little bit of an odd shift lyrically as it's a bit more bitter than the tracks that start the album. Less love, more loss.
5. "Little Child"
I like the echoing harmonica bits. This is a song that astonishes me for its musicality. Paul's natural piano bits really flourish in this song - he had very little formal training. His father apparently always pushed him to take formal lessons but he preferred to play by ear. As much as this blog is critical of McCartney's piano bits, it still impresses me how musically inclined he is. I'm incredibly jealous.
6. "Till There Was You"
This is a very Paul McCartney song. I know I say that a lot, but this song to me is a trademarked McCartney song. He pens a good love song that would win any lady over. This song, although incredibly slow, was a popular play at the Cavern Club. Quite surprising for the songs slow tempo.
7. "Please Mister Postman"
I think this is my favourite cover off of the album. The song belongs to the girl group the Marvelettes. What I love about this song is that it strikes me more as a song written for a girl to perform, but the boys pull it off with ease and confidence. The clever swap from "boyfriend" to "girlfriend". This song gets me moving.
8. "Roll Over Beethoven"
Originally belonging to Chuck Berry, the Beatles' take is true. I like their version better, it's polished and very put together. At 1:11, it takes great shift that sets you up for the Berry guitar bit. This song begs to be danced to.
I saw She & Him about a month ago and they closed with this song. A surprising close, M. Ward took the reigns on this one. He also played it at his solo gig in support of 'Hold Time' in 2009. Very M. Ward for its audience shocking ornate guitar parts.
I love love love this section in the tune, it appears only once but the music, pace and feel of this part really reflects what the lyrics are illustrating.
"Well, if you feelin' like it
Go get your lover, then reel and rock it.
Roll it over and move on up just
A trifle further and reel and rock with it,
Roll it over,
Roll Over Beethoven, dig these rhythm and blues. "
9. "Hold Me Tight"
Hand clapping galore. This song is happy and optimistic. The Beatles were true smooth talkers. This is the tune that swayed me to listen to this album tonight.
10. "You Really Got A Hold On Me"
Probably my second favourite cover on this album. It wasn't this version that "got me" the most. It was She & Him's version, which I insist you hear.
I think when I first listened to 'Volume One' by She & Him, this was the song that sealed the deal. It's really delicate, unlike the Beatles' version. If you can tough it out to 2:45, you may share what I first felt when giving this song a listen.
The Beatles' version is brassier. It reflects the original by the Miracles a lot more than She & Him's take.
George Martin's playing the piano on this track.
11. "I Wanna Be Your Man"
This album is really a call for the lovestruck people out there, whether they've found it or not. I love the desperation of this song.
This is a very unconventional Ringo song. I am joining the band wagon here in my dislike for Ringo Starr, or Richard Starkey. His later songs tend to have a simplicity that this song has. It's very evident that Ringo did not write this song.
12. "Devil in Her Heart"
A real hidden gem the original was actually labeled "Devil in His Heart," yet another gender swap. This song was originally recorded by the Donays, a must hear:
I love the skepticism of this song.
This song was really well put together by the Beatles. It has, like many of the other covers, a more polished sound to it. George is singing this one.
13. "Not A Second Time"
This is probably my least favourite song off of the album.
14. "Money"
George Martin's piano masterpiece closer. I can't get over how genius the piano part is, it really picks up vigour nearing the end of the song too.
In the liner notes, McCartney describes this song as 'a real big screamer' for the audience at the Cavern Club. I recently heard it at Goin' Steady, a 50s/60s dance party, and it held that excited quality that it possessed over forty five years ago.
It's also a serious screamer for John's trademark voice spoiling effort.
I never give this song enough credit. It is the perfect album closer.
I always like to think of things in perspective to where I am in my life. When the boys released this album they were my age. What the hell am I doing with my life?
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